Emelie Röndahl

Konstnärskap

Central to my practice with handwoven rya is the two-sidedness of the technique. The shaggy rya-side juxtaposes the smooth underside, and the works are often installed with both sides visible to the spectator. I see my rya as disrupting versions of traditional rya and contemporary tapestries, and I use untraditionally long and hanging threads that give the works a three-dimensionality.